The following motets he analyzed on the basis of secondary literature:
| Ch1 | Apta caro – Flos virginum |
| Ch2 | Ida capillorum – Portio nature |
| Ch3 | Degentis vita – Cum vix |
| Ch4 | Pictagore – O terra sancta |
| Ch5 | Alpha vibrans – Cetus venit |
| Ch6 | Rex Karole – Leticie pacis |
| Ch7 | L’ardure – Tres dous espoir |
| Ch8 | Alma polis – Axe poli |
| Ch9 | Inter densas – Imbribus |
| Ch10 | Multipliciter amando – Favore habundare |
| Ch11 | Sub arturo – Fons citharizantium |
| Ch12 | Tant a soutille – Bien pert |
| Ch13 | D’ardant desir – Se fut d’amer |
The motets ”Apta caro – Flos virginum“, ”Ida capillorum – Portio nature“, and ”Tant a soutille – Bien pert“ are also contained in the Codex Ivrea. We therefore use the transcriptions from these facsimiles.
For the motet ”Multipliciter – Favore“ Olaf Raitzig used the transcriptions by other musicologists to prepare a reconstruction of the original mensural notation; he then transcribed this hypothetical Urtext once again using a different mensuration (statements on scholarly analysis). The score will be edited and posted on the homepage.
For the motet “Pictagore – O terra sancta” as well Raitzig’s analyses yielded a new score with its own text underlay, which is also published here.
There are commentaries on all the motets mentioned; these were either entered right into the scores or they are preserved as a collection of loose leafs.